july mix : tropical island in the sun






















Genre: Electronica // experimental // ambient // dub // world
Length: 58' 46"
Bitrate: 192kbit
Size: 81 Mb


track listing:

doldrums . ame
secret garden. susumu yokota
black moss caves pt.2. secret frequency crew
nr. 1 . snoleoparden
ascending sun . bustle & out up
black hole sun . makrosoft
hombre lobo, no! hombre nuevo, si. bill laswell
hydropine. geiom
ketto. bonobo
charm . robin saville
around the world . senor coconut and his orchestra
just (go team mix). mark ronson
tuoksu tarttuu meihin. paavoharju

selected & mixed by jez f .

Dark Odyssey

























Genre: Electronica // experimental // ambient // dub // techno
Length: 60' 32"
Bitrate: 192kbit
Size: 83.4 Mb

track listing:
1. Anthony Rother - Part I
2. Alog - As complicated and beautiful as always
3. Radian - Tester
4. Set fire to flames - Cote d'abrahms roomtone
5. Fluke - Freak
6. Ryuichi Sakamoto - A dozen breaks to brook the fall
7. Dj spooky - Dialectical transformation
8. Ez3kiel - O8ssd
9. The future sound of london - Papua new guinea
10.Amon tobin - Ruthless
11.Leftfild - Rino's prayer
12.Fernando Aponte - Chrysanthemum
13.Intermission - What the hell was that
14.Anthony Rother - Part IV

selected & mixed by jez f


dark side of the force

thank you AZZ!!!



much love

mayday 南部巡迴
























May 2 10PM ''room 335'' @ Tainan City with Zephec and vj dolcevita
May 3 8PM ''Womb'' @ kaoshiung with Zephec and vj dolcevita
May 4 8PM ''InsCafe'' @ Taichung with Zephec and vj dolcevita
May 10 3PM ''Kuandu Museum of Fine Arts'' TNUA Taipei City

四月演出


只剩一場!!

4/19(六)@紅樓廣場

WHITE LABEL

將從大量錄音檔案中亂數挑選樂曲 現場販售

Local underground band makes history,report by Taipei Times


After 10 years, several lineup changes and a major musical redirection, the members of KbN made history when they played Saturday night at the Elysium club in Austin, Texas

By Ron Brownlow
STAFF REPORTER IN AUSTIN, TEXAS
Monday, Mar 17, 2008, Page 13


KbN played the Elysium club in Austin, Texas, on Saturday night, becoming the first Taiwanese band to perform at the South by Southwest music festival.
PHOTO: RON BROWNLOW, TAIPEI TIMES
When Cheer Hsieh (謝青翰) and Chet Liu (劉鎮) formed KbN (凱比鳥) in the late 1990s, they were just another group of guys with another punk band. Now, 10 years, several lineup changes and a major musical redirection later, the group made history when they played Saturday night at the Elysium club in Austin, Texas, becoming the first Taiwanese act ever to play South by Southwest .

"It was awesome to watch your own people playing on the stage so aggressively," said Ho Tai, a Taiwan-born US resident who drove down from Dallas and waved a Taiwanese flag on the packed dance floor during the band's performance. "I felt like I was one of them," he said. "I felt like I was playing on the stage."

Simply getting invited to SXSW, now regarded as the world's foremost rock festival, is a major honor for a young band like KbN. Only one-tenth of the 8,000 bands that applied were accepted to play at the five-day fest this year.

But KbN's participation has added significance because the band is paving the way for other Taiwanese artists to play here in the future. A survey conducted by Austin Co-op Radio found the station's listeners want to hear more independent music from Asia. And SXSW organizers are keen on putting together a Taiwanese showcase next year.

"They're basically starting this connection that will turn into something that's much bigger than themselves," said Nathan Davis, a Taipei-based musician who plays with KbN and organized their trip to Austin. "It's much bigger than just one band coming to play a show at South by Southwest."

KbN was founded by Hsieh, now 25, and Liu, 26, when the two were classmates at the Affiliated Senior High School of National Taiwan Normal University (師大附中).

After Bobo Chen (陳映霖) joined the group and dabbling in psychedelic folk, they became an experimental electronica group with the addition of Jerry Fang (方宜正), now 26, and his drum machine in 2000.

The band has survived the departure of several key members, including Liu, and has played at all of Taiwan's major rock festivals. Its music has appeared on compilation albums released by the Ho-Hai-Yan music festival and Taiwanese indie labels White Wabbit and Silent Agreement.

Two years ago, KbN's song Urge (衝動) earned a Golden Horse Award nomination for best original film song for the Hou Hsiao-hsien (侯孝賢) film Three Times (最好的時光).

But their visit to SXSW was only their second trip abroad and their first to a major festival. They played at Elysium on Saturday as part of Japan night, a popular SXSW fixture that tours the US after the festival ends.

"We are going to try to make some connections to bring some other bands from Taiwan next year," Hsieh said on the sidelines of a rehearsal on Wednesday. "I think a lot of Taiwanese bands are way better than us, but we were just lucky to get the chance to come here."

KbN was one of five Taiwanese bands scheduled to play at SXSW this year as part of a planned Taiwanese showcase. The other four bands backed out when it became clear they would not receive financial backing from the government or local cultural organizations. KbN organized several benefit concerts to pay for their expenses and received discounted tickets from United Airlines.

Chen and Hsieh traveled to the US with Davis - Fang's US visa application was rejected - and played shows in San Antonio and at an unofficial South by Southwest showcase, where they were filmed by a local TV station whose reporter introduced them on camera as "the first Taiwanese group to be and perform at South by Southwest."

Taiwanese musician Remi Huang (黃宏駿), 29, who traveled with KbN as a soundman, said the group was ideal for the role.

"Most of the bands in Taiwan really want to say something, but most of the time the things they want to say aren't very interesting. Or they care too much about a particular style of music" he said. "KbN focuses on their music. And they look good, too."

That was certainly the case on Saturday night, when Chen and Hsieh looked comfortable on stage as they layered synthesizer noise and an electric guitar through a keyboard over spare drum 'n' bass-influenced beats. The result sounded unique and avant-garde, but had enough hooks to keep the audience bopping and swaying. At the end of their set, they were joined by Davis on drums, bass player Joe Moody, keyboardist Jimmy Brettell and guitarist Brandon Cobb, for a fuller, funkier sound.

"They didn't seem typical - that's the best way of putting it," said Lee Fraser, who was at the Elysium on Saturday and heard KbN's performance.

Sitting on the club's terrace after the show, as fans approached him to compliment him on his performance, Chen said he was surprised by the enthusiasm and large size of the audience.

Hsieh said he will encourage other underground Taiwanese bands to do their best to participate in SXSW next year.

"We should all come together," he said. "If we have a Taiwan night it would be really fun."

For your information:

To listen to KbN's music and find out more about the band, visit
www.myspace.com/funkbnice or funkbnice.podomatic.com.

kbn @ austin

德州新聞

奧斯丁SXSW音樂節登場
REM受矚目 台灣樂團凱比鳥15日表演
【本報奧斯丁訊】奧斯丁著名兩大音樂節之一的「SXSW音樂節」(South By Southwest Festival )12日到16日將盛大登場,知名樂團R.E.M、魔比(Moby)、愛爾蘭歌手范莫里森(Van Morrison)都受邀表演,台灣也有凱比鳥樂團前來共襄盛舉,這個讓全球樂迷爭相朝聖的音樂盛會,將使奧斯丁六街一帶瘋狂熱鬧多日。

第22屆 SXSW音樂節,參加歌手和樂團共1500人,來自33個國家,他們各自在音樂節指定的70個不同據點演出。擁有廣大樂迷的R.E.M,12日晚上12時在Stubb’s ( 801 Red River St.)演出,預計將引爆高潮。來自台灣的電音搖滾樂團「凱比鳥」(KbN),將於15日晚上9時在Elysium(705 Red River St.)表演,他們的作品Sew Up、Blossom是侯孝賢電影「最好的時光」配樂,Urge是姚閎易導演「愛莉絲的鏡子」主題曲。

擁有「現場音樂之都」美稱的奧斯丁,每年3月的SXSW音樂節,市中心處處可見背著吉他的音樂人,穿梭在各大酒吧與俱樂部之間,許多唱片公司代表和經紀人也會專程來此發掘新秀。

以一首「You're Beautiful」紅遍全球的英國歌手詹姆士布朗特(James Blunt),成名前就是先在這發聲,令不少音樂製作人驚豔。人潮多、氣氛熱,SXSW自然成為樂迷最佳聯誼場所。

去年好萊塢「蜘蛛女」克莉絲汀鄧斯特,便與Razorlight主唱強尼波瑞來此約會,所以樂迷聽歌時請注意左顧右盼,也許大明星就在你身邊。


on Austin Fox News

KbN 2008 US tour



ladies & gentleman ,we are IN Austin Texas!!
2 weeks tour,from San Francisco to Texas.

SXSWeek 2008 › March 12 - 16
ALL THE ARTISTS HERE

upcoming gigs:

-----------------------------------------------------------------------------
March 10 0am@San Antonio KRTU labkids
March 10 10pm@the Mix w/ mnolo
March 13 10am@Progress Coffee/fox news FOX NEWS
March 15 SXSW 8pm@The Elysium
March 16 ArtOutSide

jiau's restaurant opening

嬌食 jiau's OPENING
3/5 7pm-10pm with 對角線 & sonic deadhorse
MOT

one last gig in feb.

02.27 (wed.) KbN (fea. Vj Azz)with Go Chic & Digihai
@ the wall 台北市文山區羅斯福路四段200號
KbN starts 8pm. ticket:300nt

you can listen/download the whole show from here

南海好聲動

【〒南海好聲動】KbN & KTK - with VJ AZZ
02/23 Sat. 19:30 NT.200
No.3,Lane 19,Sec.2,ChoungCing S rd,Taipei city
Taipei,

KTK是來自共產俄國的吵鬧音樂,二重奏在惡搞快速break的粗糙粗魯噪音型的音樂,keywords:粗糙,粗魯,吵鬧,快速,亂,古怪,breaks, samples=>前衛性電音

VJ AZZ
卡通畫家,台灣製造,久居維也納,以黑暗但色彩豐富、宜人但搶眼的動畫令人為之瘋迷。

2008 噪音季首演

1/26(六)

台北市愛國東路71號

廢墟見!!!
Rockin Metal (18:00-21:00)
18:00-19:00 DJ: ZO HANK
19:00-21:00 金屬團: Chant the Dirge、Crusher、Beyond Cure

Electro /Rock/ Undefined (21:00-23:30)
21:00-22:00 DJ: 68 、Double P
22:00-23:30 KbN凱比鳥、The Flow (undefined/Electro/Trip HOP)

Real Hip HOP/ Reggae (23:30-1:10)
23:30-12:30 DJ Book、Crazy X
12:30-01:10 O-brothaz

Tech/house/Trance (1:10-4:20)
1:10-2:10 DJ Cavi、Shin Valin
2:10-2:50 敏感少年 (Electro Rock)
2:50-4:20 DJ Barfly、Arechon、Ereki P

Come With Us: 1/13

back to the dancing age!

1/13 @ redhouse
KbN dj set (funk,70's,reggae,world music)
bibi radio #1 (french chansons)
monkey (funk,rock)
O-brothaz(reggae,dance hall)

keep going 2008






















so happy new year,happy new rave.
Justice live @ Bowery Ballroom (DJ set)

KbN deliver Pizza cut 5


凱比鳥工商服務
07-08秋冬新口味



沈默的左手

沉默的樂手
樂手/凱比鳥Jerry、藍絲絨蔣韜、王榆鈞等
採訪撰稿/miac

以堅持得近乎執拗的熱情,我們仍然試圖為心中擁抱的公理正義發聲。
在這個無傷時代,整個世代被集體麻醉,針對性議題一個一個被模糊化、去邊際化,似乎不再是問題、沒有問題。真的沒有問題嗎?這就是我們要做的-刮去粉飾太平的漆牆、讓壁癌怵目驚心地暴露,或許群眾會一下子被嚇得轉身逃離,但批判的距離也將因此被拉開。

「那麼,妳會期待在這樣一齣劇裡面聽到什麼樣的音樂呢?」蔣韜伸過手,讓我分享從他掌心無底洞源源冒出的脆豌豆,他是沉默的電吉他及鍵盤手。

他說,其實導演的音樂喜好跟這齣劇的氛圍原本就很接近,而幾位樂手對於配樂的樣貌也很有共識,因此即使是首次合作,卻也能捕捉著彼此的想像、抓準了那股不熟悉,在「墨綠色加咖啡色」的色調中碰撞出更多說不出顏色、但就是很對味的配樂。

墨綠色加咖啡色,這是蔣韜所想像的配樂基調,但這基調指的並非音樂本身,而是來自於樂手。

他最近突然發現,雖然每天出入在各個不同場合,但這些乍看無關的大小方塊陣,其實有些共通元素隱約牽繫著,並且因為那些元素的存在,你就是會選擇某些地方而不是其他。例如他所喜好的場所總逃不了墨綠色加咖啡色的擺設,這不只是配色的巧合,它隱涉了某種特定文化,被這特定文化所餵養的族群很自然地就是會往某個方向看。

但即使是望向同一方向,也因為每位樂手所處位置、角度的不同,而讓同一物件產生差別,因此音樂並不會淪為無趣的齊聲合唱,反而在似近若遠的想像共鳴中,意象的豐富性就這樣活脫出來了。

木吉他手榆鈞則直截了當地說,「愈簡單、愈有力」。

這齣劇要傳達的理念和訊息很多,而在一齣已經那麼豐富的劇裡,配樂應該要能夠直接、簡單、有力而又深刻。它應該是大地色的,溫暖、又沒那麼鮮豔,但是可以很有力量。

觀眾被打到會覺得痛,痛、那就放聲大哭!

身體的記憶永遠比我們以為的要多得多。

這齣劇究竟能夠實際產生多少作用?說不定就像火柴的亮光,稍縱即逝。但是,它曾經「擦!」一聲真實地發光發熱,或許我們很快就連自己曾經看過這齣戲都不記得了,但我們不會忘記心臟在黑暗中跳動的聲音,以及血液燒灼過皮膚底層的溫度。


.......

沈默的左手二三事
評再拒劇團《沉默的左手》

KbN tour de 2007

01/20 @高雄 子宮(dj set)
01/23 @台中 bloody sonsy moss
02/02 @台北 誠品敦南音樂館
02/03 @吵 台北永康公園
02/04 @年 台北永康公園
02/10 @獸 台北永康公園
02/16 @台北 VT salon 吵年獸 after party
02/21 @屏東 -mystery land festival
03/17 @新莊 樂生療養院
03/24 @台南 大橋花海
04/07 @台中 bloody sonsy moss
04/08 @台中 Mojo Coffee
04/21 @台北 南海藝廊
05/26 @台北 台大青年理想節
06/17 @台北 八里十三行博物館-campo
06/22 @台北 台大總圖大門口
06/30 @台北 西門町電影公園-台北電影節
07/07 @宜蘭 大溪國小-草地音樂節
07/14 @台北 南海藝廊-電子音樂大作戰
07/22 @台北 on tap
07/27 @台北 地下社會
08/03 @台北 sappho
09/01 @台北 地下社會
10/20 @台中 愛買外停車場-campo
10/20 @台中 grooveyard
10/21 @台北 chill art center (no show,coz police)
11/10 @台北 Red Carpet
11/18 @台北 建國酒廠-城市行動藝術節
11/23 @台北 ps underground-20471120 (live fighting!!)
12/01 @台北 西門町電影公園-金馬影展廣場生活派對
12/15 @台北 中山堂

如果都錯過了就明年見吧!